The black-and-white photographs of Carina Brandes, which capture her ritualistically enigmatic performances for a self-timed camera, suffer a paradoxical fate: they’re modestly powerful images grounded in a uniquely European sensibility, but ultimately leave little...
There are 15 pieces in Yao's show “Bay of Smokes,” but one work transcends its counterparts so glowingly that it's hard not to long for a one-work show. Or at least with a caveat: one work per room. The piece in question, called Doppelgängers (all works 2016), is a...
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