Every surface, each object of Aaron Fowler’s thirteen assemblage paintings in “Blessings On Blessings,” has been contemplated, touched and worked to build layers of meaning and matter that cohere and disrupt. Dimensionality—of ideas, materials, possible readings—is...
If walking into the crypt-like rotunda of Soka University’s Founders Hall is a bit chilling, entering the world of Natasha and Anushe Shoro is a return to nature. Within the glistening, well-lit space of the Founders Hall Art Gallery, this mother-daughter exhibition...
Our distance from the object of desire is always measured. In Paul Donald’s new work, “Endymion Project,” the measuring is done with great nuance in his rethinking of the relationship between desire, power and the white male subject. The artist has literally and...
Octavio Paz wrote, “this hour has the shape of a pause.” Adriana Salazar’s videos situate us inside such a pause, places where we are in nature while watching human artifacts become nature. I met Salazar in Mexico City this past November, though I knew of her work...
Summer of 1965. The artist’s mother, Resia (also an artist), stands between her two daughters wearing a sleeveless shift with a bold daisy pattern. The horizon line of the Atlantic connects the heads of the three women, who pose, smiling and relaxed, in front of a...
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