Danial Nord’s solo installation at the Torrance Art Museum, Cloud Nine (2018), presents translucent human-like sculptures, lit by LEDs responding to social media and video feeds. Nord fire-casted clear polycarbonate sheets into the shapes of recognizable figures...
Kerry Tribe’s film Standardized Patient, which was commissioned by SFMoMA in 2017 and is currently at 1301PE, is a filmic expression of thoughtful storytelling centered on a controlled social environment that is often unexplored within the wooly conceptual arts—the...
Some of us respect what makes people different from one another. By withholding judgment of others, we avoid enveloping them in our own contexts, selfishly assuming their futurities. Yet psychologist Marie-Louise Von Franz asserts, “Wherever known reality stops, where...
Nihura Montiel’s current solo show, “New Paintings,” now on view at @leiminspace in Chinatown delights in mimicking the various plush terrycloths and fabrics that function as fetish objects in her critique of misunderstood femininity. Her paintings of Cinderella,...
For his solo show at Reserve Ames, “Scalar-Daemon,” David Muenzer froze ingot molds filled with neon highlighter ink in an industrial freezer. He then stacked the frozen ingots on top of a platform placed in RA’s bucolic backyard shed. The platform has three recessed...
A slate of concrete with blue Skittles scattered across it is illuminated by a clamp light in Full Haus' current outdoor exhibition: "Andy Robert: Heavy Rain and Lightning." Titled Dream Deferred (Skittles on Concrete), this simply executed sculpture seems commonplace...
David Bowie released his envoi-like album, Blackstar, on his birthday, and so a lightness of being seems to shine through his final week on earth. His lightness might be his general M.O., considering he made pop music out of lyrics about “sailors fighting in a dance...
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