As an urban kid growing up on Manhattan’s Upper West Side, I adored the American Museum of Natural History. The low-lit museum seemed like a palace of wonders to me. In its inner chambers the glowing dioramas of exotic animals in their native habitats appeared like...
With his first solo show in California, the Trinidadian painter Kenwyn Crichlow makes a memorable debut, displaying dynamic, reflective abstractions that engulf the viewer in a spectrum of sensations. Born in Trinidad and Tobago when it was still a British colony,...
Even with the growing inclusion of textile art in textbooks, surveys and biennials, one doesn’t normally think of weaving as a cutting-edge contemporary art medium. Diedrick Brackens is out to change that. A breakout star of the 2018 Hammer “Made in L.A.” biennial,...
One expects certain things from a good ceramic biennial: personal visions, agile skill sets, revelatory juxtapositions, and an insightful contemporary theme to weave them all together. Happily, this third iteration of the clay biennial at the Craft Contemporary,...
There’s a special kind of push-pull pleasure to an exhibition that derives from conceptual interests, but is realized through material experimentation and finesse. Such was the case with Swiss artist Mai-Thu Perret’s appealing new exhibition “Mother Sky.” My first...
Geophysical reality and machine dreams meld together to often mesmerizing effect in Refik Anadol’s revelatory exhibition at Jeffrey Deitch. The show is at once an ode to the elemental forces shaping the earth’s outdoor spaces (and the human mind’s internal ones) and...
Entering a room of portraits by Amir H. Fallah, the first thing you’ll notice is that you can’t see their faces: the figures are cloaked. In one, the subject sits draped in a richly patterned blue-and-purple shawl, cradling what looks like a gilded African head in its...
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