Stefano Maderno’s celebrated sculpture of Santa Cecilia—or rather an enlarged archival pigment print of a slide of the work—greets the viewer on the far gallery wall. Mounted on a substantial support and including information recorded on old-fashioned art history...
Felicitously hung in the former drawing room of a 19th-century castellated Gothic Revival villa, Gaela Erwin’s exhibition of pastels reveals first a mastery of light that both sculpts and dissolves form, patterned after the dramatic innovations of Caravaggio. But far...
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