Michael Benevento's website is devoid of a bio for Anthony Burdin, a reclusive artist whose work is as intriguing and enigmatic as his mysterious persona. Untitled, Burdin's show encompasses works from 1992-2018 in a wide array of media. Each of Benevento's four...
Looking back at 2018, here are 10 exceptionally memorable shows among the 50 I’ve selected for Artillery’s online Pick of the Week throughout the year. Full reviews, and all other Picks, can be found in the column’s ongoing archive: artillerymag.com/pick-of-the-week/...
Up an elegant staircase in the Los Feliz mansion that is Parker Gallery, Alexandra Noel's paintings delineate rural scenes appearing very different than the verdant residential realm visible outside diamond-paned windows in the small chamber they currently occupy....
A stunning expansion upon themes she explored in her last Los Angeles show, Vikky Alexander’s “Vertical Dreams” features four floor-to-ceiling photomurals turning the entire gallery into an immersive meta-collage that asks us to consider how we sanitize, prettify and...
Rosa Loy's paintings in "So Near and Yet So Far" at Kohn Gallery delineate a mysterious fairytale world desolately populated only by women. Initially, the women appear to be engaged in habitual activities such as farming or playing; but the more you look at them, the...
Poetically conveying clues to her photographs' complex themes, "Planes," the title of the Deana Lawson show at The Underground Museum, connotes levels of existence; walls of rooms; and images' physical flatness. Most of the Rochester-born, New York-based artist's...
Cleverly titled "Tryouts for the Human Race," Max Hooper Schneider's show features only four works, each of which exists as a wondrous self-contained realm inside Jenny's, a diminutive Silver Lake gallery whose absence of outward signage makes the sight inside all the...
"Objects of Desire: Reflections on the African Still Life" is a tour de force of technical versatility, showcasing Meleko Mokgosi's multifarious painting skills alongside written testaments of his art's heady conceptual foundations. Mokgosi's paintings and sculptures...
Calling all Kimberly Brooks fans: A short time remains to catch "Fever Dreams," her mid-career survey at Mt. San Antonio College Art Gallery. More than 20 pieces, from small studies to watercolors on paper to large-scale oil paintings, sketch Brooks' artistic...
Uneasy undercurrents seep from Jo Ann Callis' delusively simple images. Her versatile talent for finding eeriness in the everyday is amply demonstrated in "Now and Then" at ROSEGALLERY. This manifold selection of paintings, sculptures and photographs from the 1970's...
Two painters posit banal architectural environments as metaphoric expressions of thoughts and emotions at George Billis Gallery. Each of the eight oil paintings comprising Alex Roulette's show, "Memory Moving Sideways," features one or more people dwarfed by...
On an old oak-lined Pasadena avenue, I’m standing before an imposing wrought-iron gate to a stately Tudor mansion. In dappled afternoon sunlight twinkling beneath breezy treetops, this mysterious setting feels like the beginning of an Alfred Hitchcock movie. Sprawling...
Richard Hoblock’s recent paintings appear as peekaboo scrims offering tantalizing glimpses into abstruse corners of the artist’s mind. Each of 16 abstractions in the San Francisco-based painter’s show “View from the Cheap Seats” appears non-objective but specific in...
A beautifully curated show unites abstractions by Andy Moses, Jen Stark and Kelsey Brookes at William Turner Gallery. Its title, "Elemental," betokens the three painters' employment of basic lines and simple shapes as fundamental building blocks for compositions...
Composed of erratically intricate abstract forms, each of Sara Parent-Ramos' brightly hued sculptures seems to twist, writhe and contort with a personality of its own. Yet the myriad pieces in her show, "Jumble, Bunch, Grow," are presented as a single 2018 work by...
Painter Thomas Fougeirol doesn't paint in the traditional sense of the word; rather, he encrusts canvases with sculptural superficies across which he sprays pigment and blasts debris. If these techniques sound terribly obtuse, their results are anything but. The...
Wanly illuminated in the sickeningly greenish aura of an outdoor motel lamp, a woman's partially clothed body lies lifeless at the threshold of Room # 118. Inside, a reverse peeping Tom anxiously peers out the window, hunching before another woman's body, his piercing...
Challenging traditional conceptions of photography, Klea McKenna creates embossed photograms based on haptic, rather than visual, impressions. In a darkroom, she generates each image by pressing light-sensitive paper against an object and thus capturing the item's...
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