Feathers, fur, gills, horns, tails (spiked and scaled), claws, talons, hooves, and forked tongues are some of the characteristics that adorn Evangeline AdaLioryn's strange amalgamations. The locust of the exhibition, "Her Labyrinth," presents an assemblage of...
GALLERY ROUNDS: Evangeline AdaLioryn
REMARKS ON COLOR: LBJ’s Lucky Light Grays April's Hue
He had five of them—hats that is. Part cowboy, part fedora—they saw him through the presidency like stalwart protectors. They gave him confidence. They engendered a swagger. They saw him through the race riots, civil and civic unrest, and the anti-war protests that...
PUBLISHER’S EYE: I Call it Home, My Hell Bel Ami
In this group exhibition of artists based in Germany, curated by the Cologne gallery DREI, the videos, paintings and photographs come together to comment on surveillance and pop culture, creating a sense of eeriness and familiarity within the show. Featuring the works...
GALLERY ROUNDS: June Edmonds Luis De Jesus Los Angeles
Now known as the Black National Anthem, Lift Every Voice and Sing , written by James Weldon Johnson and composed by his younger brother, J. Rosamond Johnson iterates the definition of resilience by stating: Sing a song full of the faith that the dark past has taught...
GALLERY ROUNDS: Blood: Medieval/Modern Getty Museum
Blood is unsightly in the flesh. Witnessing a bleeding person, one might turn away—or worse, be overcome with nausea and faint. For a substance essential to our functioning, to life itself, its image provokes extreme distress. If we were to trust our physiological...
PUBLISHER’S EYE: Yuji Ueda BLUM
Appearing as if they are on the verge of moving, Yuji Ueda’s ceramic vessels are complex, layered and their own abstracted compositions, both planned through his methodical process yet a surprise from the firing process. Based in Shigaraki, Japan—a place famous for...
BOOK REVIEW: parasocialite Brittany Menjivar's Literary Debut
Literati yet to meet Brittany Menjivar can now do so through her hardcopy publishing debut, a slender prose/poetry collection titled parasocialite. As a cheeky culture correspondent (a Salvadorian born in the DMV) and founder of Car Crash Collective (a late-night lit...
PUBLISHER’S EYE: Jane Corrigan Sea View
Conveying narratives of girlhood, Jane Corrigan’s gestural oil paintings are like snippets from a coming-of-age book—whimsical and playful, they straddle imagination and reality, showing her subjects situated in domestic or nature scenes, her expressive brushstrokes...
OUTSIDE LA: Will Hutnick Geary Contemporary
Will Hutnick’s practice resists easy categorization. While largely using the language of abstraction, his mixed media paintings also borrow elements of glitch art with seemingly disjointed imagery that is somehow both static and in motion as patterns, shapes, and...
THEATER: LA MYTHMAKING Fear of Kathy Acker
In January I was chatting with Jack Skelley, the author of The Complete Fear of Kathy Acker (FOKA) published last year through Semiotext(e). We spoke about how young writers are connecting with the older generation in the Los Angeles writing scene—it feels a lot like...
PUBLISHER’S EYE: Jennifer West Gattopardo
In her multimedia installation at Gattopardo’s new location, Jennifer West combines images of outer space with those of spiderwebs, highlighting their organic and geometric patterns—drawing parallels between stars eons away and glistening dewdrops caught in a web, her...
GALLERY ROUNDS: Rodney Graham Lisson Gallery
Does humor belong in art? The late Canadian multimedia artist Rodney Graham evidently thought it did. But Graham’s humor, on display at the Lisson Gallery through March 23, is of the companionable sort: gentle, slightly self-deprecating, never sarcastic or cutting,...
REMARKS ON COLOR: Slave Ship Ivory March's Hue
To be sure, George Washington was an honest fellow by all accounts, smart and upstanding, and yes, his father did buy him a hatchet when he was six years old—hoping perhaps his son might become a lumberjack, or at the very least, an arborist. Instead, Washington...
ART FOR DUMMIES Sophie Becker and the Ventriloquy Redux
Often seen as an eccentric art form, ventriloquism has resurfaced and gained popularity again in mainstream culture over the past few years, from televised talent competitions (three ventriloquists have won America’s Got Talent: Terry Fator, Paul Zerdin and Darci...
STAYING INSIDE THE LINES Painting AI's Possible Future
Many consider the AARON project the earliest use of AI in artwork. If AI is the most recent and advanced example of humans using automated processes to make art, then its history goes back much further. So why all the fuss now? Is AI so different than John Cage...
HYPER-REAL HYBRIDIZATION Patricia Piccinini Finds Beauty in Otherness
Australian artist Patricia Piccinini’s world is inhabited by creatures that suggest genetic engineering gone awry or the infusion of sentience in hitherto inanimate objects. Her hyper-realistic sculptures combine elements of human form blended with those of animals,...
ABSTRACTION STUDIES George Legrady's Collaborations and Mythic Narratives
Generative AI image synthesis, exemplified by software like Midjourney, DALL-E, Stable Diffusion and similar tools, has captivated widespread attention enabling on-the-fly image creation through text prompts and image prompts. While either text or image quickly...
INFINITE VARIETY David Em Finds Endless Possibilities
Digital art pioneer David Em, whose work has been published and exhibited internationally, was the first to make images with pixels at the Xerox Palo Alto Research Center in 1975. He then went on to build articulated 3D creatures with mainframes at the company...