Peter Hujar's square format black-and-white photographs are a reminder of the beauty of film and the power of a well-composed, carefully lit, and patiently observed image. Hujar died of AIDS in 1987 at the age of 44 and left behind an exceptional body of work that...
If a structure could imitate warmth and humanity, linking the innate wonder of nature to one’s need to inhibit it, Casa Orgánica by architect Javier Senosiain is it. Built in 1984 in Naucalpan, Mexico, Casa Orgánica was the first...
Art, at its most essential level, attempts to fix in space the experiences that pass like sand in an hourglass. On the whole, reality is almost always more complex than can be accurately represented, and meaning is missed in the variety of expression. But Shiyuan Liu...
Ben Sander’s latest body of work, "Poppies," centers on the opium poppy flower. The show is separated into two rooms, the main gallery floor featuring acrylic and airbrush paintings on wood panels and the lower loft room exhibiting the artist’s colored pencil and ink...
Nothing is just one thing. This is a sentiment that many of us here in the United States, particularly those of us with privilege, are coming to terms with in an entirely new way. From recognizing that many workers who previously went unseen are in fact essential, to...
A point of reference for Renée Petropoulos' compelling and thought-provoking exhibition "Like a Street full of Friends: Studies for Speculative Monuments" at as-is.la is her 2014 public artwork installed in downtown Santa Monica: Bouquet (Between Egypt, India, Iraq,...
Bashful Blue is a dreamer of impossible dreams that more often than not involve the First Lady of either political party, having once written a love letter to Hilary Clinton, begging to be the paint on her walls, the silky blue...
The works that make up Glen Wilson's exhibition "Slim Margins" are striking and unique. Wilson has an uncanny sense of materials and a keen ability to juxtapose incongruous elements to create the unexpected. Wilson sites the influence of documentary photographers like...
In 1839, the very first portrait photograph was captured of (and by) Robert Cornelius. It must have been a difficult – albeit likely humorous – process, as Cornelius set up his camera before hurriedly running to sit motionless in front of it, arms crossed and hair...
“A national political campaign is better than the best circus ever heard of, with a mass baptism and a couple of hangings thrown in.” –H.L. Mencken At no time in history is the character of a nation brought into more vivid relief than during elections. And no medium...
In Between the World and Me (2015), Ta-Nehisi Coates writes, “The entire narrative of this country argues against the truth of who you are.” This two-edged sword of truth was unapologetically visible in the "Kangs" exhibition at Band of Vices, which includes four...
Sculpture is a medium of art with infinite possibilities. Unbounded by canvas or wall, a sculpture is only defined by the space itself. Yet despite the limitless potential definitions, there is only ever one realized in the moment that the iron is cast, the glass...
Dear Reader, As I write this, the election is little more than a week away. It is possible we still might not know who the next president will be when this November/December issue hits the streets. We will either be celebrating or crying. The already surreal fact that...
It’s hard to pin down joyfulness. It’s a transient emotion that is readily batted away by the complexities and pains of everyday life. One can almost forget what it feels like. Luckily, one of the crucial functions of art is to remind us all that joy does exist. This...
"Figuratively Speaking" is a 25-year retrospective on the female figure as studied by the artist, Haleh Mashian. Haleh is an Iranian-born artist, who opened Mash Gallery in 2018. Since the works are presented undated, it is unclear exactly what Mashian’s “early work”...
I have an ongoing conversation with Karen Finley that operates on several levels, one of which is simply her public conversation; i.e., the level on which her work has made its enduring imprint on the culture and more specifically the phenomenon of cultural trauma....
It takes a lot of guts to title your solo show “Little Black Boy Makes Imperial Porcelains,” and then it takes a lot of talent to pull off a show with that loaded marquee. Alex Anderson managed to do just that at Gavlak gallery this summer, in a show (March 14–July...
When I first saw Marie Thibeault’s hybrid landscapes that merge abstraction with representational figures, I was struck by her bold use of color and unusual iconography, in which organic and industrial shapes are combined, many inspired by the Port of Los Angeles near...
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