All the Paper in My Life By Eve Wood We are born into paper— Our lives bookended in signatures, A certificate To prove you exist And another to prove you Do not, each day teeming With permits, credentials For entry and forms to depart, Passports, agendas, Records of...
“Fictions in Fragments,” the latest show by Fu Site at Kylin Gallery in Beverly Hills, is an adventure not to be missed. Mixing ghostly characters and cracking lightning with influences stretching from modern architecture to baroque drama, Fu’s paintings alternately...
The title of Karen Carson’s show of new "bas relief" paintings, exhibited alongside some of the zippered canvas works that marked her debut into the Los Angeles art world almost half a century ago, “Middle Ground” is a kind of conundrum, consistent with the kinds of...
Portraiture is almost certainly the artistic genre in which power and privilege imprint themselves most legibly. To "represent" can mean to depict, but also the right to speak on behalf of a group. The tension between these two meanings is at the heart of Hamishi...
Jonathan Hepfer is a percussionist, conductor, and the artistic director of Monday Evening Concerts, the longest-running classical, avant-garde and experimental music concert series in LA. What has it been like reimagining your programming during the pandemic? Over...
It is difficult not to be taken with Ludovica Gioscia’s exhibition “Arturo And The Vertical Sea.” Upon entry, viewers confront three free-standing wooden structures akin to unfinished walls that criss-cross two gallery spaces at different angles, dividing them into...
Amanda Wall’s debut solo show, “JUICY” at The Cabin entices us into the intimate gallery. The exhibition space, which is in fact a small cottage-like structure in the backyard of artist and collector Danny First’s residence, immediately evokes a sense of casual...
Already known for planting her cut-out shapes onto a dense matte black ground, which she has characterized as ‘non-space,’ for this show, Kent challenges viewers straight off with a plunge into a black field already seemingly torn away to reveal both apparent voids...
Central Valley ceramicist David Hicks doesn’t have a big footprint in Los Angeles. To see his work, you have to drive out to a hospital in Sylmar: a sun-parched, semi-rustic neighborhood at the northernmost tip of Los Angeles. There, above the lobby welcome desk, once...
Poetic, internal, observational and mysterious—all describe Tristan Espinoza’s “Index, Interiors,” currently on display at the Los Angeles Municipal Gallery. Both inscrutable and mesmerizing, Espinoza’s work uses the mediums of hand-made cyanotypes and AI, a...
These new paintings by Jessie Makinson are absolutely wild. From large-scale soiree tableaux to small-gathering social vignettes and intimate, symbolism-rich character portraits, her singular swirl of posh post-male society is both feral and fancy, cheeky and courtly,...
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A painting requires nothing more than a painter. Everything else is malleable. Once a painter has been established, that which they create are paintings no matter the form. Michael Henry Hayden is – as he has been throughout his long career – a painter. But in the...
“The Grief I Have Caused You” is Devendra Banhart’s first solo exhibition in Los Angeles. Nicodim is hosting the exhibition in their upstairs gallery, which surveys work made during the lockdown and beyond. The past year has been one of great suffering and...
Peacock Blue wishes to clarify once and for all that her name has little to do with vegetable matter and even less with genitalia, yet imagine going through life mistaken either for soup or a pecker! Such is the fate of Peacock Blue, who’s spent a lifetime in the jest...
The atmosphere is quiet and still, the lighting theatrical and in a sequence of different colored rooms, case after display case filled with ceramic vessel-like forms resting at the bottom of brightly lit aquariums exude immobility, enlivened only by fish darting...
In the 1950s-60s, Jasper Johns created two works – Flag (1954-55) and Target (1961) – which both carved his place in the art historical canon and established a new conceptual framework for art. These encaustic versions of instantly recognizable icons (an American Flag...
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