Celebrity can be problematic. In fact, celebrity is one of the most poisonous influences on individual and collective human psychology at work in contemporary society, undermining the concept of individual creative autonomy as it unilaterally erases millennia-old...
Luke ButlerI can see Luke Butler hanging out with Montgomery Clift and Liz Taylor, sipping daiquiris by the lake-house with not a care in the world, but then all great movies must come to “an end.” Butler specializes in these two powerfully evocative little words...
As regular visitors to awol are familiar with by now, I tend to veer off the track a bit, linger a bit too long over this curiosity or that novelty (hopefully without pushing you all into a full-blown meditation – I assume you have your own facilitators for that), or...
Materially Defined All art has corporeal form, and must be “made” of something, and in the case of “Materially Defined,” at CMay Gallery, the literal materials themselves dictate the greater metaphorical meaning of the individual works in the exhibition. Macha...
Rachel Kastor: Ambitious ImplementsRachel Kaster creates startlingly effective visual conversations between seemingly disparate objects including glass, found wood and bronze. Many of Kastor’s visual relationships depend on tangible visceral associations; glass is so...
Jim Jarmusch’s recent release, Only Lovers Left Alive, is not a successful film in the conventional sense; yet I wonder now whether I should cherish it all the more for that very reason. I think my chief complaint about it is that it’s not a successful script – which...
I am so glad I made sure to see the just-visiting Jackson Pollock painting at the Getty before it leaves this weekend—I did procrastinate a little. The painting, Mural (1943) has been at the Getty for an extended facelift. It’s now beautifully restored and has been on...
"Opening Receptionat Garboushian Gallery in Beverly Hills Saturday, May 17, 2014 http://www.garboushian.com/index.php" From Lydia Emily "Bound". Posted by Artillery Magazine on 5/27/2014 (9 items) Evan Senn, Steve Baxter Jim Morpheses, Roxene Rockwell Juri Koll...
Rachel Lauren KasterRachel Kaster creates startlingly effective visual conversations between seemingly disparate objects including glass, found wood and bronze. Many of Kaster’s visual relationships depend on tangible visceral associations; glass is so fragile, yet...
The first object one encounters upon entering Jaime Scholnick’s exhibition at CB1 Gallery is Redesigned, Repurposed, Re-everythinged (2014), a computer numerical control-milled walnut sculpture replica of Styrofoam packaging material that protects a MacBook Pro during...
Mozart, like other great artists before and since, offers us a topological mirror in which to test and tease our perspectives on the universe and our fragile foothold in it. The evocative power of his greatest work is a sublime irony, felt all the more acutely as the...
“Ai Weiwei: According to What?” at the Brooklyn Museum opens the parameters for making and defining art by referencing contemporary China and the artist’s struggles as a political dissident.Ai’s relentless tweets, blogs, and photographic chronicling are an ongoing...
Night Terrors And Day Dreams Edgar Allen Poe, the undisputed master of darkness once said, “Those who dream by day are cognizant of many things which escape those who dream only by night,” suggesting that the light can be a necessary benediction just as the dark...
Mike Kelley participated in our Guest Lecture series by providing this spread that he designed specifically for the centerfold of our March/April issue of 2009. John Waters is also the featured cover story in this very special issue.
Could there be such a thing as an orchestra of memory? A kind of color-organ (remember those?—no, of course you don’t; you’re too young) soundtrack of apprehension, clairvoyance, and the insight and deep vision of compressed years? (And how, after all, do we...
The GuardianSophia Wallace is a Brooklyn-based conceptual artist and photographer. Through mixed media, images and video, her work looks at constructions of gender, race and sex. Her most recent work, CLITERACY, was a multimedia project that included street art,...
Mary Weatherford Mary Weatherford’s first exhibition at David Kordansky finds its roots in the powerful gestural mark making of artists like Helen Frankenthaler and Joan Mitchell. These powerful large-scale paintings conflate the loose semi autonomic gestural...
Maura Bendettat Edward Cella Art + Architecture In this her newest exhibition at Edward Cella, aptly titled “Vespid Empire,” Maura Bendett has hit the ball not only out of the park but well into the stratosphere. In nature, vespids are colonial nesting wasps, and...
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