“Songbook,” Alec Soth’s current exhibition of documentary-style black-and-white environmental and ensemble portraiture at Sean Kelly Gallery is compellingly complicated in the aggregate, ultimately pointing to a deeply American dilemma of how physical and social space...
Kianja Strobert makes abstract painting the old-fashioned way, with surfaces to die for. Her powdery blacks recall the days when artists ground their own colors—and her gold when nothing else would do. Pigment presses to the edge and then some, as an extension of her...
Even mountains deserved to be loved. I don’t mean literally of course, but metaphorically the mountain represents a force to be reckoned with, and hopefully, if not scaled, then appreciated. Jacci Den Hartog, in her newest exhibition at Rosamund Felsen Gallery has...
The second edition of the Kochi Muziris Biennale held on the Malabar Coast of Kerala, South India, kicked off with great fanfare. Thunderous music at the opening ceremony from a traditional ensemble of drums, cymbals, pipes, and horns normally used before evening...
In his first solo show in the U.S., French artist Benoît Maire includes a video presented on a MacBook showing an image of another MacBook showing a video of the artist watching a video of Foucault on YouTube (on a MacBook). Foucault is shown praising Gaston Bachelard...
Anish Kapoor is a master in “organic monumentality.” Working with literal organic matter including pigments and earth as well as nonorganic substances including resins and silicone, Kapoor has forged yet another series of complex and visually challenging sculptural...
Every once in a while (on those rare occasions when we’re away from our favorite gun clubs, firing ranges and ammunition shops), I’ll run into one of our ARTILLERY family and friends and s/he’ll ask me what I’ve been up to. It can be awkward—especially if I’ve just...
Jason Yates is preternaturally disposed to emulate, extrapolate and thoroughly and passionately investigate anything that relates to pop culture, therein creating his newest foray into the simultaneous realms of sculpture, paintings, installation and collage at C....
Time was running out for me and I had to experience some of the goggle hype at the New Frontier installation space. It’s a kind of expanded cinema meets art, meets doc, meets VR, meets Connect sort of space. A person could really spend three full days experiencing the...
Poet Wallace Stevens, in his seminal poem “Notes Toward A Supreme Fiction,” eschews a literal interpretation of anything, vying instead for a Greenbergian-like approach to art, indeed to life itself, privileging purity in abstraction over narrative. This recent...
I’m unclear what happened next but I do know after not getting into some parties (BET) and getting into others we ended up at the Celebration of Music in Film, highlighting the festival’s opening night film What Happened, Miss Simone? Performing at the event was...
There’s always a bit of suspense walking into an exhibition of Anish Kapoor’s work. At this point in the artist’s career, we may have certain expectations about what we will see, which are not infrequently satisfied (i.e., brilliantly finished, reflective surfaces,...
As I may have mentioned before, collage—in spite of lip service to artists from Picasso/Braque to Hannah Hoch to Rauschenberg to Elliott Hundley—remains under-acknowledged as the central formal and conceptual engine of modernist and postmodern art over the last 100...
We all know about the parasitic commerciality at Sundance. The festival desperately clinging to their long forgotten outsider status: the overpriced condos, the jello shot luge, the metal business cards and models that have lost their shoes. We’ve all heard the story...
Offering a more complete picture of the artist than the one beloved in popular imagination, “Keith Haring: The Political Line,” at the de Young in San Francisco illuminates a more radical and shamanistic side that seems to be fuel and lifeblood for the playful and...
There may have been a ‘great thing’ or two (literally) amongst the millions of pages on display at the Geffen; but good luck finding them. I shouldn’t have to be telling this to Printed Matter (a fabulous art book store that’s a must whenever I’m in Chelsea)—but when...
I sometimes wonder what the point of an art fair is anymore. I mean, isn’t that why we ‘let our fingers do the walking’ through Artforum every month? When I expressed this thought on a recent FB post, one of my pals (a well-known artist) rejoined that a “great...
First of all, soda and gardeners don’t usually go together; that’s not to say that all gardeners must abstain from soda or that soda doesn’t sometimes yearn for the garden, but it’s an unlikely alliance, yet Jason McLean’s exhibition at Wilding Cran is a playful and...
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