It is impossible to do justice to a show of the scope, ambition and sheer beauty of James Welling’s current exhibition of recent work at Regen Projects in a single blog post. But it would be no less impossible and even irresponsible to let it go without some...
Billionaire hedge funder Ken Griffin has bought two paintings, a de Kooning and a Jackson Pollock, for a total of $500 million, setting a new record for contemporary art. CNBC reported that music mogul David Geffen was the seller, and that the 1955 de Kooning,...
Jimi Gleason’s newest body of work on view at William Turner Gallery almost seem like painterly mirrors reflecting the artist’s continued investigation into materiality and form. These large-scale paintings are brightly colored and luminously reflective, giving them...
Charting a path through Evan Holloway's large floor-based sculptures at David Kordansky Gallery is like walking through a forest that has undergone a transformation into ever-lasting materials that are the antithesis of nature —bronze, steel, resin, plaster and...
In his latest exhibition at Luis De Jesus, Josh Reames has collaborated with long-time friend José Lerma, in situ, to produce two large-scale triptych paintings and sculpture.In the front gallery, two ambitious paintings extending the length of each wall, nearly floor...
The Court of Appeal of Paris on Friday ruled that a case opened against Facebook for censoring a 19th-Century nude painting can be tried in France.The court rejected Facebook's argument that it is governed exclusively by Californian law, upholding a March 2015 lower...
We don’t ordinarily think of pastel colors as carrying the power or intensity of the deepest, most vibrant primaries, especially red; or for that matter a dense black or sharp black-and-white contrast. But pastels can have great associative and mnemonic power, in many...
I’ve got to be honest. I’m a sucker for images of bloodied fingers and dead birds. Kind of an acquired taste I suppose, so Jessicka Addams newest exhibition entitled “Please Stop Loving Me,” struck a cord of familiarity, stirring an odd reprisal of grief, and...
In his new project at Commonwealth & Council, “and Child,” Kang Seung Lee plunges deeper into his interest in rules and systems and branching investigation of the power structures of the art world with an analysis of the intersections of aesthetic and financial...
For his solo show at Reserve Ames, “Scalar-Daemon,” David Muenzer froze ingot molds filled with neon highlighter ink in an industrial freezer. He then stacked the frozen ingots on top of a platform placed in RA’s bucolic backyard shed. The platform has three recessed...
The South Coast Repertory Theater’s production of Red, John Logan’s Tony Award winning play about abstract expressionist painter Mark Rothko, which opened in Costa Mesa on January 22, is directed by SCR’s Founding Artistic Director David Emmes and stars Angeleno Mark...
Bettina Hubby displays a raucous sense of humor in her second solo show aptly titled "The Sexual Bronze Show" at Klowden Mann. Mining a territory that expounds on the sexual pun, Hubby identifies objects from the grocery store that in some way compliment one another...
For her second exhibition with Von Lintel Gallery, Farrah Karapetian has produced a thoughtful new series comprising 12 large-scale Chromogenic photograms. The show’s title, “Relief,” is a direct reference to the perilous flight of the refugee at sea while other...
Our distance from the object of desire is always measured. In Paul Donald’s new work, “Endymion Project,” the measuring is done with great nuance in his rethinking of the relationship between desire, power and the white male subject. The artist has literally and...
In her solo exhibit at Chainlink Gallery, Lithuanian artist Gedvile Grace Bunikyte demonstrates how the dichotomy between simple shapes and complexity of mind is one of the most compelling spaces in which to create. Her work, which consists largely of drawings and...
I think we can all agree that there are too many art fairs. We could almost stretch that to say there are too many fairs, period. We generate too many products – most of them of an astonishingly brief life-span, and worth still less of anyone’s attention; and consume...
"Love Potions" at Maloney Fine Art is a wonderfully subtle and wistful exhibition of works by three Los Angeles artists. Kim McCarty, Roger Herman and Mona Kuhn have created a mélange of ceramics, watercolors and photographs that play off each other, creating...
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