Photo recap of an incredible event to commemorate World AIDS Day 2026 held at The Broad on December 3, 2025 featuring a panel discussion with multidisciplinary artists Rubén Esparza, Ken Gonzales-Day, Joey Terrill, and photographer/documentarian Judy Ornelas....
At Luis de Jesus Los Angeles, Ken Gonzales-Day: Afterlife, shows new digital collages furthering his body of “nevermades;” a term coined by the artist to describe his revisionist reimaginings of Western historical moments and figures bringing into question the long...
What do CNN chief international correspondent Clarissa Ward, three-time Adult Video News All-Girl Performer of the Year Charlotte Stokely, and art-world rising star landscape painter Emma Webster all have in common? They’ve all posed for Zak Smith. The Ward portrait...
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Dear Reader, I have good news and bad news. Let’s start with the bad news: This, after 18 years, is my last editor’s letter. What an incredible journey it has been. Here’s the good news: Artillery will still carry on! More on that later. I started this magazine with...
There is something inherently contentious about an exhibition juxtaposing the work of a contemporary artist with another whose work has some place within the art-historical canon, more particularly one of the most resonant antecedents of the late 19th- and early...
If you’ve read any of Bernard Cooper’s books, you know about the care with which he constructs his sentences, how he gives each detail its own breathing room. (If not, Maps to Anywhere [1990] and his 2006 memoir The Bill from My Father are especially recommended.)...
In The Head in the Tiger’s Mouth (2021), the first composition in Kyungmi Shin’s kaleidoscopic exhibition, my eyes immediately landed on the luminous collection of swirls and stripes suggesting the calligraphic form of a tiger before catching on the colorful tableau...
Incessant texts and social-media alerts are inescapable facets of contemporary life, and artist Chris Eckert attempts to make sense of this glut of seemingly endless data. Eckert has successfully melded backgrounds in the fields of mechanical engineering and...
A church is a grand gesture to the community it serves and sustains. At its best it’s a hub, as well as a display of worship, tradition, sacrament and humility. A chapel by contrast is a modest little space—distinguished from the former by its size more than anything...
As part of her career-spanning 2022–23 survey, “Peripheral Vision” at the Getty, and in honor of the museum’s 20th anniversary, the German-American photographer Uta Barth presented an expansive commission entitled “…from dawn to dusk” (2022). Twice a month for a year,...
The meeting of Covey Gong and Monique Mouton at Bel Ami is like watching the contact of two elements transforming one another. While their respective works are satisfying on their own, together, Mouton’s mixed media on paper and Gong’s tactful sculptures, spotlights a...
Somewhere between warfare and entertainment, sports as a spectacle is deeply rooted in the ways modern societies organize, present and consume events and expectations. Pacing through "SECONDARY: commencement," there is a sense of nostalgia that belongs to a media...
Two galleries have teamed up to co-present the group exhibition, “Thank you, I’m rested now. I’ll have the lobster today, thank you,” borrowing its title from Karen Kilimnik’s 2016 collage of a Siamese cat poised on a Rococo-style bed. Margot Samel from New York and...
In this group exhibition of 15 artists, Rashid Johnson splendidly arranges ablaze and brooding drawings, paintings and sculptures into a pristine playlist. From Huma Bhabha’s uneasy cork, wood and cardboard ancient being and Bill Traylor’s acutely simple and lyrical...
‘Man proposes, but [God] disposes’—or so went the biblical proverb as distilled more or less through various Christian medieval iterations. In this simultaneously sunlit and dark-star doubling of two operas—George Lewis’s and librettist Douglas Kearney’s dark...
Dear Reader, As a kid, I didn’t get to do much traveling. The family trips we took were always by car to visit relatives, somehow miraculously fitting seven of us into a big two-toned Oldsmobile. My dad used to roll down the window, just a sliver, to blow out the...
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