Ellie Krakow’s “Comfort Corners” views chronic illness through a Ballardian lens, using sculpture to merge hospital beds and monitors with distorted limbs, rears, and organs. On paper, the concept alone evokes lurid visions—but Krakow’s approach is matter-of-fact, inviting the viewer to step closer rather than shrink away via rounded edges and muted, gentle hues. In this innovative “examining room,” there is space for a spectrum of sensations: body language conveys acceptance (“Open Arm” [2026]’s upturned palm) as well as resistance (“Rail” [2025]’s clenched fist, plugged into an adjacent wall). A particular condition is never indicated—“Open Arm,” for instance, blends the visual language of blood work with that of a gynecological treatment—allowing easy entry for viewers of all backgrounds. Even at its most absurd, the show is underpinned by a deep sense of tenderness for the body in all its states, in all its vulnerability.

Images courtesy of artist and Foyer LA.