Friday – 8pm
Saturday – 8pm
Sunday Matinee – 3pm
This iteration of RECITAL was created during a development residency at MOCA Geffen Warehouse in the summer of 2025. Over the course of 6 weeks, AMMA expanded the piece first presented at WIP LA in July of 2024. Now, from AMMA’s sweat and tears comes RECITAL (EPILOGUE).
AMMA has entered its chapter of lore building. Mysticism and fun have entered the chat.
RECITAL (EPILOGUE) brings its audience into the pit of the pop-star arena, where tickets cost $$$$ before taxes and fees. Dance has never felt this good to watch; every cent of your rent money is well spent here.
Pop stars are not regular people. They’re sexy angels fallen to the stage, synchronized and syncopated. They slice through the music with their bodies, hot knives through grass-fed butter. You’re crying, dizzy, screaming for more.
Then, the floor of the pit opens and you fall through. Bodies crash into each other, the pop stars have come unglued. You came for a RECITAL, but this is the (EPILOGUE), and it’s dirtier down here. More dangerous, too. You won’t always like what you see.
The work will be presented at Human Resources Los Angeles, January 23rd, 24th & 25th, 2026.
AMMA (Alexsa Miles Miles Alexsa) is a run-on sentence in the form of a choreographic practice by artists Alexsa Durrans and Miles Brenninkmeijer. Established in 2018, their dances are inspired by the spectacle of movement performed in the context of arena concerts, halftime shows, synchronized swimming, etc. Previous performance presentations include Recital (Arena Tour) at WIP LA (2024), EQ at Eden (2023), The Halftime Show at Pieter Performance Space (2019), and Bye Bye Bye at Weekend At Berenice (2018).
Alexsa Durrans (b. Vancouver, Canada, 1994) is a Los Angeles based artist working in the fields of performance, visual art and experimental dance.
Miles Brenninkmeijer (b. São Paulo, Brazil, 1993) is a dancer and choreographer based in Los Angeles working across live performance and on-screen movement.
