In conjunction with our presentation at Frieze, the gallery will host an informal artist talk with Rodrigo and Ken Gonzalez-Day, including a walkthrough of their current shows at the gallery on Saturday, February 19, from 10am to 11am. Refreshments will be served and all are welcome.
Rodrigo Valenzuela’s Afterwork series and Weapons series speaks to the elimination not only of individual laborers but of the idea itself of the work force, pushed aside by the very shapes we see here: odd machines and automation, engines that no longer require an operator, but that rage when no one is watching.
Ken Gonzales-Day’s new series of drawings began in 2020 as part of a commission print project for the Smithsonian’s Journal of the Archives of American Art. The artwork is a creative and critical intervention into the Archives that is directly informed by his ongoing Erased Lynching series, in which he re-photographs and manipulates historic lynching images and postcards.
Rodrigo Valenzuela (b. 1982, Chile) received his MFA from the University of Washington, Seattle in 2012, a BA in Philosophy from Evergreen State College, Olympia, WA in 2010 and a BFA from the University of Chile, Santiago in 2004. He has presented solo exhibitions at New Museum, New York (2019); Lancaster Museum of Art and History, CA (2019); Orange County Museum of Art, CA (2018) and Portland Art Museum, OR (2018), and has participated in group exhibitions at the Phillips Collection, Washington, DC (2019); The Drawing Center, New York, NY (2017); Frye Art Museum, Seattle, WA (2016); Museum of Fine Arts, Houston, TX (2015); and Henry Art Gallery, Seattle, WA (2017). He was awarded residencies at Light Work, Syracuse, NY (2017); MacDowell Colony, Peterborough, NH (2016); Core program, Houston, TX (2016); Bemis Center for Contemporary Art, Omaha, NE (2015); Kala Art Institute, Berkeley (2015) and Skowhegan School of Painting and Sculpture, ME (2013), among others. In 2021, Valenzuela was awarded a Guggenheim Fellowship Award and a Smithsonian Artist Research Fellowship. He received a Joan Mitchell Painters and Sculptors Grant (2017), Arts innovator Award (2014). His work is included in the collections of Los Angeles County Museum of Art, Los Angeles, CA; Whitney Museum of American Art, NYC, NY; Museum of Fine Arts, Houston, TX; Nelson-Atkins Museum of Art, Kansas City, MO; Frye Art Museum, Seattle, WA; as well as numerous private and corporate collections. Valenzuela lives and works Los Angeles, CA.
Ken Gonzales-Day’s interdisciplinary and conceptually grounded photographic projects consider the history of photography, the construction of race, and the limits of representational systems. Gonzales-Day is a Getty scholar and a Terra Foundation, Smithsonian Museum and Guggenheim fellow. In 2018, he was the subject of a solo exhibition at the Smithsonian National Portrait Gallery in Washington, D.C. Currently, he is Professor of Art, and the Fletcher Jones Chair in Art at Scripps College. Gonzales-Day’s exhaustive research and book Lynching in the West, 1850-1935 (Duke Univ. Press, 2006) led to a re-evaluation of the history of lynching in this country. The book shed light on the little-known history of frontier justice and vigilantism and was nominated for a Pulitzer Prize.
