The New Yorker
Nestled among the exhibition reviews and auction reports in contemporary-art journalism last week were scattered items about the Roski School of Art and Design, at the University of Southern California. On Friday, the first-year students in the school’s M.F.A. program announced that they were all dropping out. “All,” in this case, meant seven students: a small number, but, given the difficulty of getting students or artists to do anything together, the action was a feat of organization and solidarity.
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