“A Better Nectar” is a rare exhibition merging art with nature, while focusing on the daily activities of bees—those diligent flying insects that pollinate our planet. Among this show’s surprising pieces are several larger-than-life fiberglass sculptures that...
William Blake’s proverb “Eternity is in love with the productions of time” from The Marriage of Heaven and Hell is an apt lens through which to contemplate the paintings of Theodora Allen, both because her style and imagery suggest the visionary Romantic painter and...
Despite their welter of contrivances, and their aesthetic dependency on such elaboration, Amir Fallah’s paintings maintain a deep, charming and abiding sense of mystery. Like so much current painting that conflates figurative and abstract elements—and like so much...
The show’s title, “1993 to 2011,” gave some indication of the artist’s preoccupation with the relative ‘curve’ of time; but that was scarcely half of it. Clark took full advantage of the space-time manifold within the gallery’s rectangular ‘white cube’ space, not...
Last fall Patricia Sweetow relocated to Oakland’s vibrant Uptown district, where Spun Smoke, her new venue, combines fine art with high-end, high-fire ceramics and a few skeins of her very own hand-spun, hand-dyed wool. Spun Smoke recently presented work by...
Thai artist Araya Rasdjarmrearnsook’s retrospective at SculptureCenter in Queens, New York, and her concurrent solo exhibition at the Tyler Rollins Gallery titled “Niranam” is the work of a profound humanist. Using videos as her primary medium, she tackles subjects...
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It’s a commonplace of the current cultural moment that we have trouble tearing ourselves away from our screens. (Some of us anyway; and for some of us that screen is basically an extension of our desk.) But actually I think it’s a bit more complicated than that. ...
An interview with Paris Photo LA’s new director, Florence Bourgeois, and the new artistic director, Christoph Wiesner, was the first thing on my agenda for the fair this year. I wanted to get from Bourgeois and Wiesner a sense of what changes or innovations they hope...
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