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Recent Articles

Laura London, Environmental Fires Sunset, Downtown Los Angeles, June 4, 2016

Code Orange

March/April Submissions; Deadline Feb 2, 2018

CODE ORANGE is a new Artillery feature, a web-based, issue-oriented photography contest curated by LA artist and photographer Laura London. Winning entries will be published…
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Opening night at last year’s LA Art Show.
Photos by Lynda Burdick.

SHOPTALK

Fair News; Getty; Pacific Asia Museum; Comings & Goings; Women's March

Fair News January is fair month in our fair city. The LA Art Show (Jan. 10–14) in all its massiveness returns to the Convention Center…
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Norman Rockwell, Shuffleton’s Barbershop, 1950

ART BRIEF

Selling the Crown Jewels: Norman Rockwell

Although I’m not a big fan of Norman Rockwell’s artwork, a painting of his caught my eye after becoming the centerpiece of a controversy that…
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Page from Crap Hound #5: Hands, Hearts & Eyes, 1996

UNDER THE RADAR

Sean Tejaratchi's Liartown!

This whole end-of-net-neutrality panic is a bit of a mystery to me. Sure, it sucks, but what were people expecting? That businessmen would suddenly do…
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DECODER

DECODER

Incredibly Layered

Galleries usually just send you their press releases, but sometimes you get them from a whole PR firm. I’m on this firm’s list now, and…
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Bill Sheehy, photo by Eric Minh Swenson

RECONNOITER

Bill Sheehy

Bill Sheehy is the director of Latin American Masters, which he founded in 1987.   What led you to exhibit only Latin-American artists? Do you…
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Wait until you see our teeth!

BUNKER VISION

The Lure: The Sum of its Parts

If you happen to be looking for a textbook example of film as collaborative art, a special feature on the DVD of The Lure might…
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Piero Manzoni, Artist’s Shit (Merda d’artista), 1961.

ASK BABS

Etiquette for Artful Living

DIFFICULT SUBJECT MATTER DEAR BABS: In my art practice, I gravitate toward using ephemeral media and creating installations. Sometimes my work deals with “difficult” subject…
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Art Reviews

Estudio Teddy Cruz + Forman, Mecalux Retro-fit: Framework for Incremental Housing, installation view, 2017, ©Estudio Teddy Cruz + Forman, courtesy of the artists and OCMA

2017 California-Pacific Triennial

Orange County Museum of Art / Newport Beach, CA
Kenyatta A.C. Hinkle, The Evanesced #107, 2016, © Kenyatta A.C. Hinkle, courtesy of the artist and Jenkins Johnson Gallery

Kenyatta A.C. Hinkle

California African American Museum / Los Angeles
Star Montana, Sandra, 2017, © Star Montana, courtesy of the artist and the Main Museum, photo by Elon Schoenholz

Star Montana

The Main Museum / Los Angeles
Grace Hartigan, The King Is Dead, 1950, Permanent Collection, Snite Museum of Art,
University of Notre Dame, 
Estate of Grace Hartigan.

Women of Abstract Expressionism

Palm Springs Museum of Art
Chris Antemann, Forbidden Fruit Dinner Party (detail), 2013, Meissen Porcelain®, image courtesy of MEISSEN®

Chris Antemann

Crocker Art Museum / Sacramento, CA
Like a Bird, 1984, ©Richard Deacon, courtesy of the artist, Raymond and Patsy Nasher Collection, Nasher Sculpture Center, Dallas, and the San Diego Museum of Art

Richard Deacon

San Diego Museum of Art
Surajlal Mukherjee collection, Dum Dum.

UNDER THE RADAR

Dusty Raga: Robert Millis
Kota Ezawa,The Storm on the Sea of Galilee, 2015, courtesy of the artist and Christopher Grimes Gallery, Santa Monica, CA

Kota Ezawa

Christopher Grimes Gallery / Los Angeles
Steven Hull, Wow! Wow! Wow! Wow! Wow! Wow! Unbelievable!, 2015-16, photo by Grant Mudford, 2016.

Steven Hull

Rosamund Felsen Gallery / Los Angeles
George Legrady, Day & Night Transylvania Hunt, 2015, courtesy of the artist and Edward Cella Art + Architecture

George Legrady

Edward Cella Art + Architecture / Los Angeles
ClaudiaParducci, Murrah Building Rope Drawing 2, 2015, image courtesy of the artist and Ochi Projects.

Claudia Parducci

Ochi Projects / Los Angeles
Jessica Rath, Water Feed #2 (2016), courtesy of the artist, images courtesy of Pitzer College Art Galleries, Claremont, CA, photo by Ruben Diaz.

The Ocelots of Foothill Boulevard

Pitzer College Art Galleries