R. H. Quaytman’s Morning: Chapter 30 has an assertive, unrelenting horizontal presence, but it really represents a kind of constellation – coextensive with the larger universe of associations that populate Quaytman’s entire body of work. That constellation may be...
This was not the first time LACE (Los Angeles Contemporary Exhibitions) has hosted an intriguing overnight event in their gallery. But this time, LACE’s partnership with dublab, LA’s super fresh, freeform online radio station, brought the event to new levels of...
Paul Sietsema's works have an aesthetic and intellectual dimensionality and the path through his exhibition is an invitation to put together the pieces of a sophisticated puzzle that juxtaposes the digital and the handmade with a semi-nostalgic nod toward objects from...
Saturday night was a scream at Human Condition’s Almost Closing Party in the abandoned Los Angeles Metropolitan Medical Center. Once an institution for the ill, the hospital is now an amusement park for sick-minded citizens, such as ourselves. We explored five...
Jud Fine and Barbara McCarren’s And/Or show at the University Art Museum, Cal State University Long Beach channels us toward Keats’ notion of negative capability, or a fertile surrender to paradox and uncertainty, by way of two colliding currents. One induces...
Marilyn Monroe died over 54 years ago, but the culture vultures are still circling her crypt, eyeing the last unturned scraps of her life and career for commercial pickings. But, as the bits of relevant material lessen to nothingness, what is left really, to take from...
Jeffrey Vallance was already something of a legend when I first became acquainted with his work – an ‘interventionist’ style of conceptual art in which the performance became a kind of deconstructed cultural inquiry. My first impression came by way of captioned...
Artillery’s 10th anniversary party was just the medicine the doctor ordered the night after the world learned Donald Trump would be our next president. No one wanted to leave their homes, but the thought of being with like-minded people got about 200 people out to...
Attending a Daniel Rolnik event, you'll encounter many bizarre characters, Rolnik being the most amusing. I met Rolnik four years ago at a party in a vacant Beverly Hills house where he had helped organize a pop-up exhibition. His art world debut role was as a writer...
If you missed this artist’s 2014 “Light Invisible” installation at LACMA, “Golden Ratio,” a new show at Peter Blake Gallery presents the opportunity to view Helen Pashgian’s colorless elliptical columns. In this exhibition of Pashgian’s continued exploration of light...
I’m looking at Second Sight (2016) by Christina McPhee, which carries the same title as her solo exhibition currently on view at Cerritos Art Gallery. This work is an abstract, dense and expressive work on paper: there are marks upon marks, which create a layered...
Sometimes the bravest show can be one that parses its meanings seemingly by millimeters in the sheer sense structures to be elucidated between one work and the next. This is in pronounced contrast to the relatively unfiltered cascades of sensation that dominate many...
Last time I went to HVW8 Gallery (pronounced “heavyweight”) I saw Mndsgn perform live to a group of young artists, activists and burn-outs. Smooth beats and burning incense infused the tiny gallery while 200-plus people stood out back sipping free PBR. This past...
"A Noiseless Patient Spider" at Vacancy is an experimental mix of sculpture, painting, assemblage, and installation. It’s surprising for a show in such a small space to pull off so many varying aspects, yet "Patient Spider" does just that. Linnea Kniaz interacts with...
Dear Readers It’s our Miami issue, meaning this issue goes to Miami. It really doesn’t have anything to do with Miami or the fairs. But it is an issue we designed, content-wise, by what we thought Miami fairgoers might like to read. This year we made it our Interview...
Marc Horowitz has shifted in the past few years from his early work, bridging performance, social practice, entertainment and social media, into the more traditional practices of painting and sculpture. “Interior, Day (A Door Opens),” his show at Depart Foundation...
If you are familiar with Laurie Fendrich’s work, you know that the artist is a New York–based painter of vibrant geometric abstractions that strike a precarious balance between order and subterfuge. And you may have heard about her 2016 John Simon Guggenheim Memorial...
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